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21世纪，地球回复昔日的和平，但此时宇宙坠下一颗陨石，陨石有一个人工的时空囊。地球和平联盟TPC的GUTS小队通过时空囊了解到地球将有大灾难发生。而此时，时空囊预言的两大怪兽·“哥路渣”和“米路巴”先后出现，GUTS小队便根据预言寻找收藏在金字塔的三大巨人的身体。几经寻找后GUTS队员们终于找到金字塔，但两大怪兽也到来了。虽GUTS拼死守护，但三个巨像已被破坏剩一个，队员·大伍的战机也被击中，且逃生装置失灵。在危急关头，大伍突然化成光，和最后一个的石像结合。光之巨人“迪加”因此而复活，并与两大怪兽展开了战斗……
以清洁房屋为生的单身母亲罗丝（艾美•亚当斯Amy Adams 饰）高中时曾是风光一时的校啦啦队员。当年男友迈克（史蒂夫•赞恩 Steve Zahn 饰）终于另娶他人，罗丝却与身为警察的迈克依然保持情人关系。罗丝八岁的儿子奥斯卡（杰森•斯佩瓦克 Jason Spevack 饰）因捣乱被学校开除，罗丝决定送儿子入私立学校学习。迈克告知罗丝犯罪现场清洁有利可图，于是罗丝与失业的妹妹诺拉（艾米丽•布朗特 Emily Blunt 饰）组成“阳光清洗公司”，专门清洁犯罪、事故现场，而做小生意的父亲乔（阿兰•阿金 Alan Arkin 饰）暂时照顾奥斯卡。可公司起步没多久，却因诺拉的失误造成了无可挽回的损失，姐妹二人也因此不欢而散…… 本片被提名2008年圣丹斯电影节评委会大奖。
跟随阿玛拉，她看似完美的生活在一段涉及她的丑闻视频疯传后发生天翻地覆的变化，成为社会贱民，但她靠自己的努力试图摆脱困境。
徐小静哥哥徐小飞误入歧途加入雄哥犯罪组织被杀害，在得知雄哥犯罪证据在方健身上时，徐小静转校到方健所在学校准备拿回证据，此时，雄哥也派出得力手下Mandy乔装成校医，伺机抢夺证据，雄哥企图被徐小静识破，在方健家门口与Mandy大打出手，而方健却浑然不知自己正在处在危险中心，在机缘巧合下方健与徐小静邂逅相爱，而这时，方健的父亲方国正却意外出现，方健也和妹妹方媛被雄哥抓走，事情的真相变也因此变的扑朔迷离......
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
本片讲述了在离开家乡多年后，25岁的丹尼因父亲的意外去世而回到了自己童年的家。开始他受不了这个穷乡僻壤的寂寞和无聊，但慢慢地，他才发现这个养育他长大的地方是一片乐土，他也重新赢得了童年时期青梅竹马的苏苏的心。但为了找到他生活的意义，丹尼还是不得不面对多年前让他离开家乡的真正原因。 回乡的自我救赎是本片亮点，在温情的描绘中道出了男主深埋于心底的秘密。影片节奏轻快紧凑，幽默又温情，特别适合年轻观众以及全家观看。 卖点：集聚德国新生代小鲜肉和美少女的青春片。
徐简博（张嘉译 饰）膝下有一儿一女和一名收养的义子，分别为徐书成（张鲁一 饰）、徐舒容（咏梅 饰）和陆书白（吴秀波 饰）。徐书成远赴重洋深造，于十五年后学成归来，同徐书成在北平重逢。时值新文化运动的鼎盛时期，两位热血男儿亦投身于这场轰轰烈烈的运动之中。 陆书白和徐舒容很早之前就订下了婚约，徐舒容亦对陆书白一往情深。谁知，一位名叫钮兰（陶虹 饰）的女子出现在陆书白的身边，钮兰个性活泼开朗，思想开放新潮，在她的身上，陆书白发现了一个新的世界。然而，陆书白并不知道的是，在他抛下家庭追随钮兰前往北京之时，徐舒容的腹中已经怀上了他的骨肉。
刘好（冯巩）是河北某个小县城一名普通的三轮车师傅，为人时而大大咧咧时而相当抠门，虽然生活不富裕，他还是怀抱知足常乐心态去过好每一天的日子。\r刘好的生命中，一共出现过三个女人。贺文兰（张澍）离开他时，给他留下和他没有血缘关系的儿子刘小好（叮当）；经别人介绍认识杨倩（徐帆）后，刘好开始与她谈论婚嫁，但对方开出的条件相当苛刻，且嫌弃他有一个儿子，实际上刘小好已经成为刘好生命的一部分；无意间结识陈红（刘孜）后，善良老实的刘好终于收获生活给予他的回报。