《庙不可言》是作者吉冈公威连载的漫画作品。近日宣布动画化！
1950年，南北朝鲜处于对峙内战阶段，战乱并没有影响石峥里这个消息闭塞，民风淳朴的小村子，村子依旧是一片祥和。然而在朴扎熙（郑丽媛 Ryeo-won Jeong 饰）在和未婚夫泽洙成婚前夜，广播传来首尔沦陷的消息，泽洙一家连夜逃跑，一队北朝鲜军队入扎石峥里这个村落，打破了长久以来的宁静。带头的中尉金贞雄（金柱赫 Ju-hyuk Kim 饰）曾和扎熙有过一段美好的童年回忆，是扎熙父亲的故人之子。但是十年前的文学青年已经蜕变成了刚直的军官，扎熙未能一下子认出贞雄，直到偶然见到贞雄的笔记本，一本诗集勾起了她对往事的回忆。军队入扎后，村长为了保全全村人的性命选择了投降，军队和村民的采取平均分配的方式和平共处。两个月过去了，这队从战场浴血奋战过的北朝鲜逐渐被村民们的温情感化，而扎熙和贞雄的感情也日渐浓厚。然而此时贞雄却接到了上级要求他们屠村撤退的命令…
欧洲某国的安妮公主（奥黛丽·赫本 Audrey Hepburn 饰）到访罗马，国务烦身，但她又厌倦繁文缛节。一天晚上，身心俱疲的她偷偷来到民间欣赏夜景，巧遇报社记者乔（格里高利·派克 Gregory Peck 饰）。二人把手同游，相当快乐。公主更是到乔的家中作客并在那过夜。 不料乔无意中发现了公主的真实身份，他决定炮制一个独家新闻，于是乔和朋友、摄影师欧文（埃迪·艾伯特 Eddie Albert 饰）一起带公主同游罗马，并且偷拍了公主的很多生活照。然而，在接下来与公主的相处中，乔不知不觉恋上了公主。为了保护公主的形象，乔只能忍痛抛弃功成名就的良机，将照片送予了公主。 安妮公主在经历了罗马一日假期后，反而体验了自己对国家的责任，毅然返回了大使馆，为了本身的责任而果断抛弃了爱情。
陈念是一名即将参加高考的高三学生，同校女生胡晓蝶的跳楼自杀让她的生活陷入了困顿之中胡晓蝶死后，陈念遭到了以魏莱为首的三人组的霸凌，魏莱虽然表面上看来是乖巧的优等生，实际上却心思毒辣，胡晓蝶的死和她有着千丝万缕的联系。 一次偶然中，陈念邂逅了名为小北的小混混，随着时间的推移，心心相惜的两人之间产生了真挚的感情。小北答应陈念在暗中保护她免受魏莱的欺凌，没想到这一决定引发了一连串的连锁反应。负责调查胡晓蝶死因的警官郑易隐隐察觉到校园里的古怪气氛，可他的调查却屡屡遭到校方的阻挠。
琪琪在学校里创办了一个戏剧社，老爸担心影响女儿的学习，来到学校，发现大人老会被认出。一个小孩子扔进一瓶"变小孩药丸"，老爸吃下药丸，变成了男生尼小巴。尼小巴加入戏剧社，由此发生了许多有趣的故事。
影片主要讲述了小旋风柴进带着女儿梁惠英隐姓埋名在梁山脚下，却被贼匪杨虓识破身份，杨虓和汤县令合伙意图得到宝藏，最终为了各自的利益杨虓杀了汤县令，为掩饰罪行又欲杀柴进，结果被施良城和柴进杀死的故事。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
敏秀和尤里有个结婚日期 返回尤里，并告诉她有关婚姻的信息。 但是，爱上Minsu的Jung-hee感到震惊。 晚上，我一个人出来，打电话给我的朋友宋勋。 她告诉成勋，喝醉了。 对郑熙感觉很好的成勋与郑熙分享了她的婚外情。 第二天，郑熙醒了，遇到了在家的敏秀。 郑熙开始学习性爱的乐趣，并对敏秀着迷。 su秀拒绝拒绝这样的贞熙，并找到了成勋。
年轻女子（琼·芳登 Joan Fontaine 饰）初遇曼德利主人德文特（劳伦斯·奥利弗 Laurence Olivier 饰）是在海边的悬崖边上。她以为德文特要跳海自尽，大叫一声，让德文特生气不已。然而，接下来的二人相识继而相知的经历让他们堕入爱河，结为伉俪，女子成为了曼德利庄园的女主人。 幸福的生活眼看就要铺开，这个新婚妻子却遭遇到了阴森的“寒流”。她发现这个庄园到处可见德文特前妻丽贝卡的影子，她的名字，在家具留下痕迹，更令新婚妻子不安的是，管家丹佛斯太太，更是念念不忘丽贝卡，对这个新来的主人充满仇恨。就连丈夫德文特，也不愿意解释这一切，仿佛他的内心还有旧情。 丽贝卡犹如梦魇般弥漫在曼德利庄园，事情开始变得越来越复杂。
午夜的宿舍楼内，传来鬼魅的唱戏声，那声音竟然来自已经死去的剧团女主演！全楼居民极度恐慌。年轻人陆离和哥们儿一起调查女鬼真相，却越陷越深，先是剧团化妆师被女鬼附身，离奇丧命，紧接着哥们儿也惊吓过度，疯癫死亡，外地来的老母亲再度被女鬼纠缠，陆离本人也一次次被鬼魅侵袭！一连串惊心动魄的奇情怪事之后，当夜半戏声再次飘起，最令人胆寒的时刻终于来临……
肥胖忧郁的哈维尔（Carlos Areces 饰）出生于西班牙一个小丑世家，他的父亲死于内战，生前曾嘱咐这个背负了太多痛苦的儿子做一个悲伤小丑。时过境迁，成年后的哈维尔求职来到一家马戏团，遇到了当家小丑赛吉（Antonio de la Torre 饰）以及美艳的杂技女明星纳塔莉娅（Carolina Bang 饰）。他们是一对情侣，生活中的赛吉嗜酒狂暴，经常对纳塔莉娅饱以老拳，后者虽然痛苦不堪，却又无比沉缅于这份变态的暴力之中。哈维尔爱怜这株时常为暴风雨摧残的柔弱小花，而纳塔莉娅也渐渐喜欢上哈维尔的单纯善良。以此为契机，这三个人纠缠出了一段血腥的畸零人生…… 本片荣获2011年歌雅奖最佳发型设计、最佳特效奖；2010年威尼斯国际电影节最佳剧本奖和银狮奖最佳导演奖。