一说到检察官，会想到什么？正气凌然、严肃少语。但这些词在马惠丽（金素妍 饰）身上则全不适用。记忆力超强的马惠丽中意的是光鲜亮丽的服饰和鞋子，向往的是时尚界。但出身名门的她一早就被规划好了人生，在父母的安排下，走上了检察官之路。但惠丽则对于什么是正义，为什么要做检察官则一无所知。对检察官毫无热情的惠丽，却阴差阳错地解决了一起又一起的案件。这幕后的推手则是律师出身的徐宇人（朴施厚 饰）。徐宇人可谓一天二十四小时都围绕着惠丽，对于惠丽烦心的事都及时出手帮忙。这背后的原因则牵扯到二十年前宇人父亲和惠丽父亲的事。 父辈的恩怨让宇人在冰与火中徘徊。宇人逐渐偏离了最初接近惠丽的目的，而不知情的惠丽则毫无意外的投入了这场恋爱，殊不知真相正在慢慢逼近她……
A Vietnamese family moves into a centuries-old ancestral home, only to discover sinister secrets and visions in the old family's ancient crypt.
在“疯狂老爸”的爱与陪伴下，小男孩辛巴从3岁起就先后途经20国到达南北极，留下企鹅作伴、北极熊共舞的美好回忆……年仅8岁时，他又有了去西藏攀登雪山、漂流大河、拍摄珍稀雪豹的梦想，爸爸也希望他“读万卷书”同时去“行万里路”，成长为勇敢善良的男子汉。父子俩从大理启程，踏上了世界第三极的越野之路，可长达8700公里的天路上，无数意料之外的探险挑战，也正等待着他们去经历……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
续命之徒：绝命毒师电影 El Camino A Breaking Bad Movie[电影解说]
Netflix 电视内容《续命之徒：绝命毒师电影》回归，主角杰西·平克曼（艾美奖得主亚伦·保尔饰演）再次与粉丝见面。杰西戏剧性地逃出囚禁后，他必须接受自己的过去，才有可能创造未来。这部扣人心弦的惊悚片由《绝命毒师》的创剧人文斯·吉里根编写和执导。该电影由马克·约翰逊、梅利莎·伯恩斯坦、查尔斯·纽沃斯、黛安娜·默瑟和亚伦·保尔以及 Sony Pictures Television 联合制作。
世界上又多了一个杀人不眨眼的冷血杀手，注定又将引起一场惊涛骇浪。绰号金枪人的职业杀手几乎百发百中，没有他完成不了的任务，由此成为世界各恐怖组织争相高酬聘请的对象。同一时间，英国军方为了取回可将太阳能95%转化的高效率太阳能转化器（万一这种厉害的武器落入恐怖分子手中后果不堪设想），007邦德（罗杰•摩尔 Roger Moore 饰）奉命出动了。恐怖组织为了阻止007的行动，高薪聘请了金枪人来对付007。最终鹿死谁手，007又能否顺利完成任务？
在川崎青空警察署刑事一课强行犯搜查系担任巡查部长的黑井玛雅（多部未华子 饰），是一个办案手段极其干练，但同时又是一个热衷于摧残倾轧犯罪分子的“抖S刑警”。这种特立独行且专横跋扈的办案风格虽然对嫌疑人有着极大的震慑，却也难免遭到同侪的腹诽和指摘。因一通神秘的报警电话，在晴 空警署下辖派出所担任巡警的代官山修介（大仓忠义饰）得到黑井的赏识，随后被强行调到了强行犯搜查系。看起来平步青云，然而对于代官山来说却未尝不是一段苦难历程的开始。这对性格有着天壤之别的搭档，由此踏上了波折多多的探案之路…… 本片根据七尾与史的推理系列小说改编。
得一笔奖学金资助，张一鹏（刘德华）获得去法国留学深造的机会，学成归国后，他被任命为上海市禁烟（鸦片）行动的第一专员。张在法经西方文化与价值观熏陶，十分书生意气，刚携妻子（陈少霞）来到上海，便展开一系列动作，不知中国与西方国家国情有别，难有健全的法律体系及社会秩序：警察署长倪坤（顾宝明）和大毒枭戴济民（刘松仁）是拜把兄弟，两人一起控制着包括贩卖鸦片在内的上海所有的非法交易，见数次向张行贿无果，他们发毒誓要让张生不如死。
3月14日 21-22赛季NBA常规赛 尼克斯VS篮网
本片采用朴素而又现实的表现手法，一个故事是以当下80后的现实爱情故事为背景，讲述了卫梦与肖鸣宇高中时因误会错失情缘，一直单身。同学聚会上两人再次相遇，重燃爱火，却因种种试探，使这段情缘前途未卜。另一个故事则是90后女孩沙立夏追寻音乐梦想的故事背景，独特的拍摄角度展现了高考失意成了父母阻止她音乐梦的导火索，面临父亲的反对，沙立夏毅然决然鼓起勇气坚持梦想，最终赢得了父亲的支持。