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  • 2023 2.0
  • 2023 1.0
  • 2022 3.0

    爱,死亡和机器人第三季

    艾美奖获奖动画选集《爱、死亡&机器人》第三部回归,由蒂姆·米勒(《死侍》《终结者:黑暗命运》)和大卫·芬奇(《心灵猎人》《曼克》)担任监制。恐怖、想象力和美在新剧集中完美融合,从揭示古老的邪恶力量到喜剧般的末日,剧集以标志性的巧思和创造性的视觉效果,为观众带来令人震惊的奇幻、恐怖和科幻短篇故事。

  • 2020 8.0

    猎犬2020

    拜访一位富裕而隐居的朋友,使一个年轻人陷入了恐惧和绝望的世界。

  • 2007 9.0

    抗联敢死队之红雪

    剧情简介“九一八”事变后,东北军战士双龙所在部队遭到日军残酷打击,他侥幸逃脱后被日军苦苦追捕。走投无路之时,他不得不投靠土匪,却受到过去同为东北军某部团长邓殿云所部伪军的围剿。在复杂的斗争情况下,双龙通过各种办法带领土匪走上了进步抗日的道路,并在共产党的领导下,将土匪部改编为抗日山林队,后收编为东北抗日联军第十军,双龙任军长。双龙领导的抗联部队在极端困难的条件下以少胜多,沉重打击了日本侵略者的嚣张气焰,也成为了日军的心腹大患。抗联十军一举歼灭并摧毁了日本关东军“七三一”细菌部队的前身——中马城。一九三五年,双龙加入了中国共产党。为此日军尾田部不惜出动重兵对双龙的十军进行围追堵截。由于日军女特务的混入,双龙部队驻地被日军发现,双龙领导的第十军陷入敌人的重重包围之中。面对数十倍的敌人,十军战士拼死顽强奋战,双龙军长与日军战斗到生命的最后一刻,流尽了最后一滴血。

  • 2023 1.0
  • 2022 4.0
  • 1958 6.0

    不安分的年轻人们

    Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

  • 1986 4.0

    KYOKOの体験 ザ・本番

    フィリピンのスモーキーバレーで生きる子供たちを描いたドキュメンタリー『忘れられた子供たち』で、数々の映画賞を受賞した四ノ宮浩の監督デビュー作。3人の“KYOKO”の独立したストーリーを、微妙に交差させながら綴るエロティックムービー。

  • 2007 10.0

    蜡笔小新:呼风唤雨!会唱歌的屁股炸弹

    小新一家去冲绳旅行,本来是平凡的一天,然而小新的宠物小白却突然沾上了一枚威力强大的炸弹!这个炸弹是被奇异的外星生物“屁股星人”遗留下来的,其力量足以毁掉整个地球。全球65亿人的注意力都集中在了一只小狗身上!面对来自宇宙监视中心和美女恐怖集团白黑两道对小白的争夺,小新挺身而出誓死保护小白!

  • 2009 1.0

    明媚时光

    陈健康(翁家轩 饰)出生在一个极为普通的家庭之中,他本身亦是那种大街上随处可见的高中男生,对于爱情和家庭的温暖有着极度的渴望和向往。嘉嘉(王璐瑶 饰)由母亲(许素莹 饰)一人拉扯养大,困苦的生活令母亲变得愈发神经质起来,而嘉嘉对于这一切却早已经习以为常。两位各自带着伤痛的年轻人走到了一起,然而他们的恋情却充满了变数和压力。  大雄(郭晓辉 饰)和蜘蛛侠(刘家铭 饰)是陈健康的死党,他们两人亦有着各自的烦恼。大雄肩上背负的是父亲过于沉重的期盼的目光,而蜘蛛侠的自卑令他早早带上了自负的假面。时间的车轮一刻不停歇的向前滚动,在轮下,对于人生,这些孩子们会做出怎样的选择?

  • 2019 8.0

    被光抓走的人

    据说该片的创作灵感来源于董润年的一个脑洞:“如果有一道神秘的光把一部分人抓走,社会的平静与法则被打破,我们该怎么办?” 在导演的脑洞中,光代表什么?为什么人会被光抓走?谁会被光抓走?留下来的人要怎么办?这一系列疑问未来都需要在片中得到解答。

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