Traumatised by the death of an innocent. Killer for hire Bradley drops out of society, seeking meaning roaming the dangerous streets of a tough inner city ghetto. When he encounters a savage pimp and a desperate woman under his control Bradley finds the
出品单位: 河南电影电视制作集团公司 本片讲述了一个小女孩安琪执著地寻找一枚落入下水道的硬币，来澄清男青年孙志明被诬赖的事实真相的经过，从而揭示社会生活中人性贪婪虚伪的一面对下一代的影响与危害，宣扬社会真善美的优良美德，对帮助广大中小学生形成正确的人生观、世界观、价值观，将起到积极的作用……
杜仲（郭晋安饰）是京城内的一位名医，因为医好慈禧太后（罗兰饰）久治不愈的疑难杂症而被破格升职为御医，迁入了紫禁城之内。成为御医之后，杜仲凭借着他聪慧的才智和高超的医术闻名于红墙之内，深得皇上和太后的信任。然而，杜仲却在被囚的光绪身上看到了夺目的帝王之气，并因此而被卷入了残酷的政治斗争之中。杜仲家中有一妻洪百合（贾晓晨饰），因其不能生育，又纳了茯苓（杨怡饰）为妾。哪知道茯苓侠肝义胆，竟在洞房花烛之夜和人私奔，杜仲为了成全这段郎情妾意，写下了休书成全他们两人。哪知道数年后，被情人抛弃的茯苓和杜仲重逢并成为了好友，两人合作天衣无缝屡破奇案，时间久了，居然真的生出了情愫。
德瓦家和邻村是世仇，但是德瓦家的当家却一直致力于消弭两家的仇恨，甚至将不听劝阻参与两家械斗的儿子吉赶出了家门。吉痛定思痛，决定追随父亲的意思以德报怨，用爱去感化仇家，因此他通过接近仇家的儿子和女儿成功混进了邻村。吉的命运如何，他是否能消除两家延续数代的仇恨，化干戈为玉帛呢？
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
岩狮市公安局刑侦大队民警张文的养父大学教授林远洋被发现死在家中。张文黯然离开了市公安局，企图以自我放逐的方式化解巨大的悲痛。一年后，为了帮助新到任的李子铭警官快速破获一宗离奇的“水产店故意杀人案”，张文被公安局副局长苏南山请回了刑侦大队。出乎张文和所有人意料之外的是这一起案子牵扯出的嫌疑人王大龙正是林远洋过去的学生。就在李子铭率队想要对王大龙进行拘传时，王大龙却被发现离奇身亡。 随着调查的推进，种种线索浮出水面，凶手似乎刻意想要诱导张文等人进入一个布置已久的迷局。过去和现在连接到了一起，背后的真凶呼之欲出，众人逐渐走近真相，殊不知一场更大的危机悄然而至。
17岁的优质处男周小天（杨佑宁）时常会在梦中与一健壮男子缠绵，为寻梦中情人，他千里迢迢从台南来到台北。通过好友小宇（金勤）的介绍，周小天开始在一家健身房打工，因此结识众同志眼中的头号单身型男白铁男（Duncan），疑惑其就是自己的梦中人，对其心生好感，然而因为不离白铁男半步的男孩俊（张大镛），周小天怀疑有关白铁男花心不负责任的传言属实。 当周小天尝试与白铁男交往时，仍不时出没的俊引发一场误会，令他对白铁男的好感度迅速降低。一帮好友为帮周小天走出心情的低谷，企图揪出白铁男替他报仇，却发现白铁男的秘密。
A passionate 26-year old BMX dirt jumper, Phineas Cooper, gets the chance of a lifetime to compete at the regional level to qualify for nationals. But his pursuit of triumph sours with a crash that knocks him out of commission. Determined to get back on track for the next major competition, he undergoes physical therapy for a couple months. In the meantime, he is ordered by cou...
《同伊》描述的是韩孝珠所饰演的女主角崔淑嫔从平民到朝鲜国母的一生。池珍熙在剧中饰演的是第15代高丽王肃宗一角。历史上的高丽肃宗于1095年他年仅十四岁时即位，在位10年，逝于1105年，是挽救朝鲜失落王权的杰出君主，拥有超凡的个人魅力。