乾隆在位时,贤臣进谏开仓平乱,乾隆早想亲身了解百姓疾苦,决定与太监周日清微服出巡.江南胜景,风光如画,美女如云.乾隆尽尝地道美食;投栈时,乾隆委派周到妓院挑选妓女,在妓院内正见一少女秀丽可人,逐以高价替其少女赎身,献给皇上. 后来,少女带皇上及周返家,才知道少女卖身替父治病,就这样,二人在少女家中过着平民百姓生活,体恤民间苦况.
一天，大雄和静儿、技安被强夫邀到家中参观恐龙化石。当然，大雄免不了又被强夫取笑一番。为了要做强夫面前争一口气，大雄夸下海口，恐龙化石没什么了不起，他要让小伙伴们见识一下真正的恐龙！ 奇迹再次发生在大雄身上，他真的找到了一颗活的恐龙蛋！大雄和叮当在家将小恐龙孵化了出来并在公园里暗中饲养。小恐龙比助一天天长大，公园有怪兽的消息传遍了日本。为了小恐龙能健康成长，大家决定将小恐龙用时光机送回白垩纪。 没料到，一个神秘人暗中跟踪他们，也来到了白垩纪想要虏走比助。为了保护比助，叮当、大雄、强夫、技安和静儿再次来到了白垩纪……
当沙基和史酷比赢得去狂热摔跤比赛的门票后，整个团队都决定去MysteryMachine出席观看这场比赛。然而，一只神秘的幽灵熊突然出现毁掉了这场比赛，史酷比，沙基he达芙妮还有其他朋友以及众多的WWE明星一起来处理这个突发事件……by:http://chaoji365.com/list/?4.html
身价净值超过600亿美元，沃伦•巴菲特是真正的独一无二的亿万富翁。这位传奇般的投资者仍旧住在他位于奥马哈的小房子里。今年86岁的他，每天都开车去到办公室管理世界第五大上市公司伯克希尔•哈撒韦公司。但比起他低调的生活方式，更令人惊讶的是他的道德情操。他庄重和正直的人格魅力让他累积了巨额财富，并在一次史上最大型的慈善活动中，捐出了所有财产。《成为沃伦•巴菲特》这部影片讲述了一个来自内布拉斯加洲的小男孩成为世界上最受人尊敬的男人之一的成长史，以及引导他的幕后贵人。影片为独家拍摄，包含沃伦•巴菲特从未曝光过的家庭影像，沃伦•巴菲特将带领大家思考，当金钱不再有意义时，什么才是最重要的？Withanetworthofover$60,000,000,000,WarrenBuffettistrulyaone-of-a-kindbillionaire.ThelegendaryinvestorstilllivesinhismodesthomeinOmaha.At86yearsold,hedrivestotheofficeeverymorningtomanageBerkshireHathaway,thefifthlargestpubliccompanyintheworld.Butmoresurprisingthanhishumblelifestyleishismoralcore.Thesameprinciplesofdecencyandintegritythathelpedhimpileupafortuneledhimtogiveitallawayinthelargestphilanthropicdonationinhistory.BecomingWarrenBuffettchroniclestheevolutionofaboyfromNebraskawhobecameoneofthemostrespectedmenintheworld,andtheheroeswhohelpedguidehimalongtheway.Byallowingaccesstohislifeandnever-before-releasedhomevideos,Buffettoffersaglimpseintohisuniquemindtohelpusunderstandwhatistrulyimportantwhenmoneynolongerhasmeaning.
日本的某座城里发生连环抢劫案，但警方在犯罪现场却找不到任何蛛丝马迹。平凡生活着的水野为了帮助佐野博士进行人体实验而变成气体异形，后来水野为了家族衰落的爱人藤谷而多次犯下可怕的罪行…导致最后造成悲剧。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
罗微宁（高蓓蓓 饰）与肖霆峰（巫刚 饰）结婚后，生活幸福美满。得知航空公司要招空姐，罗很高兴，她盼望与当飞行员的丈夫“双飞双宿”，但却遭到肖霆峰反对。无论罗怎么解释，肖就是不同意，但罗还是执意要报考。几天后，罗微宁带着填好的表格简历来到考场，恰巧肖霆峰任主考官，他正劝汪明慧（吴玉芳 饰）报考，怎奈她一口回绝。当肖看到妻子在表格中填写未婚时，有意提问尖刻问题，罗微宁鼓动如簧巧舌从容应答，给其他考官留下深刻印象。考试结果，罗微宁、李如芸（谢润 饰）等十八个性格各异的姑娘被公司录取。由于罗隐瞒了教官太太的身份，工作中她与肖产生了一连串令人忍俊不禁的笑话......
电视台记者韦海怡（邵美琪饰）在一次采访笼屋新闻时，邂逅终日沉迷于阅读的马中宝（温兆伦饰）。因海怡无意中取走《青蛙与蝎子》小说的后半部，而遭到中宝的苦苦纠缠。海怡母亲韦金铃（苗金凤饰）的地下情人湛有容（骆应钧饰）意图染指海怡，海怡不慎失手杀死了他。当自暴自弃的海怡被指控上庭时，中宝以惊人的记忆力为其申辩，海怡无罪释放，却遭受香港媒体的一致炮轰。 当海怡不顾众人指点与中宝成为情侣时，中宝却惹上官司，海怡结识股坛大亨乔大羽（伍卫国饰）。无良律师李英杰（张国强饰）不择手段，居然与韦金铃联手对付海怡。经历种种考验的海怡和中宝，与周予诺（郭蔼明饰）共同创办了“青天周刊”，试图唤回传媒的良心。正当他们获得成功的时刻，海怡再次遭逢重创，开始慢慢变得失去良知……
4月6日 21-22赛季NBA常规赛 马刺VS掘金
21-22赛季NBA常规赛 快船VS勇士
富家公子哥Jaokhun（OM饰演）是Thanapiwat家族的独子，为了赌气在朋友的蒙骗下，毫不知情地参加了一档真人秀节目。情节就是让一个社会名流用一个月的时间体验农村生活。Jaokhun一无所有地来到穷乡僻壤的幸福村体验穷人生活，却在这里遇见了曾经发生过口角的茶园主女儿SomJai（Cherry饰演）。真人秀直播正在进行中，风流倜傥的公子哥在乡下究竟遭遇了怎样一连串令人捧腹的尴尬，美丽率真的村姑SomJai又怎样在一次次唇枪舌战中感悟了毒舌男的脆弱与真诚，两颗心又将面对怎样的世俗阻挠，擦出爱的火花，富家公子哥与村姑的爱情故事悄然上演。
彝族小女孩咪依噜父母意外车祸遭遇不幸，从未见过面的外公罗老爹接她回彝族小镇共同生活，陌生的环境使咪依噜更加思念妈妈，老师让同学们给自己最亲的人写封信，咪依噜写给了妈妈并寄到了原来的家，新住户美国女孩萨娜被咪依噜的思念感动，不知真相的她开始给咪依噜回信，直到咪依噜跑来找妈妈，萨娜才了解妈妈在天堂萨娜到了彝族小镇被彝族文化和彝族人的纯朴与真诚深深触动，毅然决定辞去白领工作到彝族小镇去支教。