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  • 1998 2.0

    王牌对王牌

    丹尼(塞缪尔·杰克逊 Samuel L. Jackson 饰)是一名出色的谈判专家,屡立战功。当他的人生顺风顺水时,刹那间的转折让他措手不及。他的搭档发现警局内有人私吞公款,却在打算告诉丹尼实情时惨遭杀害,第一时间赶到现场的丹尼自然最大嫌疑人。当他确信是警局内有人要找他做替死鬼,百口莫辩之际,他铤而走险绑架了内务监察部检察官和其助手等人,想通过与警方的对话为自己洗刷罪名。 丹尼要求另一分局派出谈判专家来和自己对话,因为他清楚要谋害自己的人就在自己的局里。于是邻局的谈判专家史宾恩(凯文·史派西 Kevin Spacey 饰)奉命前来和丹尼谈判,史宾恩相信了丹尼,开始为他搜集证据。©豆瓣

  • 1986 1.0

    最佳福星

    一宗跨国要案难住香港警方,在一次高层秘密会议上,曹探长(曹德发 饰)接受下属建议,决定派非警方人员盗走日本黑帮犯罪分子的名贵钻石。他照例找到五福星老搭档,但最终只有鹧鸪菜(洪金宝 饰)同意接手。经过一番筛选,他们从警局内部又找到4个不着调的警员,分别是:狗王伦(谭咏麟 饰)、肥豹(郑则士 饰)、Rambo(刘德华 饰)、Band友(陈友 饰)和力保健(楼南光 饰)。这几个人的搞笑和脱线本领比起五福星来有强不差,闹出更多的笑话。为了在短期内将他们训练有素,曹探长还专门派出性感迷人且身怀绝技的女警察一品香担任教练,只是这群色迷迷、只想着占便宜的家伙最终能否成功完成任务呢?©豆瓣

  • 2012 6.0

    新闻编辑室第一季

      该剧讲述了一个虚构电视台“亚特兰蒂斯有线新闻台”(简称:ACN)台前幕后的故事。                                                                      Will McAvoy(杰夫·丹尼尔斯 Jeff Daniels 饰)是一位资深新闻节目主持人,为ACN电视网八点档旗舰节目《晚间新闻》带来超高收视率,但因为飞扬跋扈、刚愎自用,引发过团队成员的不满。在他刚结束休假回到办公室后,发现他的大部分部下将要另谋他就,集体被挖角。McAvoy的老板、ACN电视网新闻部部长Charlie Skinner(萨姆·沃特森 Sam Waterston 饰)有卓越的眼光与新闻理想,知道该如何拯救一档新闻节目,眼光更是准得惊人。他不但没有放弃Will,更利用他的工作能力竭力维护这档节目中的所有人才。这一次,Will不得不带领一批全新的团队成员,重振《晚间新闻》的旗鼓......

  • 2018 8.0

    一生所爱

    民国末年,留洋博士陈浩泽带了新技术回国办大药行。与之合作的奉天城里杨家西药行和方家中药铺三家资源互补。陈浩泽来不久便谈成了一笔巨额订单,同时对合作的杨家小姐一见钟情。两人的感情渐入佳境,一幅画卷成为了他们的定情信物。他们不知这份感情已经触犯到了另一个合作伙伴的禁忌。陈浩泽的订单因为手下背叛出了差错。人命关天时,陈浩泽不得不做出了一个抉择。在一个夜晚,陈浩泽带着杨依灵当面撕开的半幅画离开了奉天城。这一别,天涯陌路。六十年的光阴转瞬即逝,无尽的找寻与等待,六十年后的今天,两幅残画突然再次相遇,而这次拿画的,却是两位素未谋面的年轻人。尘封已久的真相似乎就要揭露。垂垂老矣的画的主人又是否还能再见?

  • 2022 4.0

    解禁男女

    郑智厚(李浚荣饰)是刚刚专职到公关部的代理,巧合的是,在公关部有一个名叫郑智宥(徐珠贤饰)的职员,两人的名字竟然意外的相似。因为名字相似,某日,郑智宥误收了寄给郑智厚的包裹,打开之后震惊的发现里面竟然是一条情趣狗链,不过,这两人的关系因为这场社死而意外的变得亲密起来,郑智宥对于郑智厚开始有了别样的感觉。一天,郑智厚向郑智宥提出了请求,希望她能够成为自己的主人,出于对对方的感情,郑智宥答应了这个请求,并且开始了对于BDSM领域的探索,两人定下了为期三个月的契约,在这三个月里,郑智宥将每周对郑智厚进行一次调教活动。

  • 2006 7.0

    水墨青春

      江玫和江瑰是一对美丽的姐妹。生活在世外桃源般的贵州小镇屯堡。姐姐江玫同青梅竹马的男友吕征外出去大城市深圳打工,妹妹江瑰留在屯堡当了一名小学音乐教师。                                                                      江瑰的男友是宋玉,一个勤劳朴实的当地青年。他与江玫也是从小相识,虽然在和江瑰谈恋爱,但是他真正爱的人是江玫。                                                                      在深圳的时候,吕征在金钱的诱惑下离开了江玫,准备联姻富商女儿林芳芳。                                                                      年关将至,江玫带着满心疲惫回到了屯堡。仍然爱着江玫的吕征也回到了屯堡。在崩溃边缘的江玫察觉了宋玉对她的爱。她十分需要这份温暖,可是又不能伤害自己的妹妹。她们同时面临爱的收获与损害的困扰。                                                                      吕征和宋玉这对昔日的好友因为江玫而变得剑拔弩张,吕征的现女友林芳芳的出现,更加增加了事情的复杂性,原本平静如水的小镇荡起了一阵又一阵波澜。

  • 2017 7.0
  • 1948 7.0

    欧洲的某个地方

    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 2023 10.0

    结伙072第五季

    和第4季一样,以“演艺界最强高尔夫球手”的头衔展开的淘汰赛形式。与副标题相称的072名出演者作为场上的胜负师展开了激烈的对决。   特别是,从上赛季正式比赛开始在一起的画廊们,从本赛季的首场比赛开始,将一起参加比赛,让他们更加紧张。   另外,上个赛季完美配合的MC朴美善和职业高尔夫球手柳贤珠也将再次展现默契。这次将以更加坚强的口才,更加专业的转播深度,为节目增添趣味性。

  • 2023 1.0
  • 2019 4.0

    新封神之哪吒闹海

      商纣时代人间妖魔作祟,黎民饱受其苦。蛇妖石矶欲掳走总兵李靖幼子,未果,被李靖重伤后遁走,石矶暗恨。十八年后哪吒成人,习得降妖本事,却因李靖中石矶挑拨之计,被迫自刎。后经太乙真人点化,转世重生。

  • 2019 5.0

    第28届中国金鸡百花电影节闭幕式暨第32届金鸡奖典礼

    2019年6月17日,中国电影家协会和厦门市人民政府联合在上海国际电影节召开新闻发布会,宣布第28届中国金鸡百花电影节将于11月19日至23日在厦门举办,福建籍演员姚晨将担任第28届中国金鸡百花电影节形象大使。

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