上杉风太郎（松冈祯丞配音）是就读于高中二年级的平凡男生，唯一的亮点就是学习方面异常的优秀，每次考试都能得到满分。上杉的家境非常的贫穷，欠下了巨额债务，为了还债，上杉不得不开始勤工俭学，受中野一家人的聘用，成为了中野家五姐妹的家庭教师。有些腹黑的小恶魔中野一花（花泽香菜配音）、个性傲娇厨艺绝佳的中野二乃（竹达彩奈配音）、大大咧咧沉迷于战国时期历史的中野三玖（伊藤美来配音）、非常擅长运动的元气少女中野四叶（佐仓绫音配音）和个性有些要强的傲娇少女中野五月（水濑祈配音），在这五位大小姐的包围下，上杉能够顺利完成自己的教学任务吗？
“光”酒店的小姐们试图找出杀死姊妹的凶手，秘密和谎言也随之浮出水面。
Emma le Roux just wants to go home for the holidays. Gentle, beautiful, pacifist Emma. She's made the trip to her father's farm a thousand times. Piece of cake. But not today. Today she will cross paths with Bosman and Baz and Jay. And Boela and AJ and
章扬的父亲因精神病发作失手犯下过错，不仅自己丢了性命，给陶文婷家带来了灾难性的打击。章扬为弥补父亲犯下的罪，更多的是对陶雯婷的爱慕，努力地挣钱以另一种身份持续供雯婷上学，然而在挣钱道路当中误入歧途，发生了一连锁哭笑不得的事情......
大年三十，老北村马家孝顺儿媳田窗花，翘首期盼丈夫回家过年，等来的却是一纸离婚协议书。丈夫闹离婚、女儿不省心、村民账务无法偿还，而就在此时，噩耗传来，自己的父亲又突然离世。田窗花尽孝公婆，令二老动容，宁认儿媳不认儿。田窗花离婚了，并费尽周折，终于将欠村民的钱解决了。此后，在党和政府的关怀和帮助下，她将金湖山庄收归村里，又带领老北村村民开发乡村旅游，办冰雪节等，把金湖山庄经营的有声有色，而后，她又意外发现婆婆的剪纸是民间艺术瑰宝，创办了民间剪纸艺术文化公司。再后，田窗花收留落难丈夫，她的爱情发生了逆转，丈夫重新追求她，叛逆女儿也走上正途。她应约去北京参加中国非物质文化遗产传承交流大会。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
故事发生在元朝末年，失传已久的屠龙刀和倚天剑重现江湖，传闻中，若是能同时拥有这两把宝物，便能破解惊天秘密。一时间，武林之中牛鬼蛇神们纷纷摩拳擦掌，蠢蠢欲动。张翠山是张三丰（张瑛 饰）的五弟子，为了调查师兄遭人暗算的真相下山，在此途中结识了名为殷素素的女子，之后他们受金毛狮王谢逊（罗烈 饰）胁迫，来到孤岛之上，在这里结婚生子，取名张无忌（尔冬升 饰）。 一晃眼十年过去，当张翠山一行人再度回到武林之中时，才发现这里早已经变换了模样，张翠山和殷素素为了守住屠龙刀的下落而死在了众人的围攻之下，年幼的张无忌亦身受重伤。
Starring Heather Locklear's daughter, Ava Locklear, in her first lead role in a feature film, this suspense thriller takes a downward spiral when Lianne (Arianne Zucker) discovers all is not what it seems after the disappearance of her daughter, Summer (Ava Locklear). She discovers her daughter's friend, Cara (Sierra Pond) has a dark past, and even darker intentions as a girl who is desperate for a mother's love - and will stop at nothing and no one to find it.
本片是香港导演陈果妓女三部曲最后一部（《榴莲飘飘》，《香港有个荷里活》），本片讲述了一个奇特的妓女在香港的一条船上生活的故事。她有着超乎常人的性欲和三个丈夫，她将自己地献身于她的工作。用性来讽刺时代，这部电影充满了强烈的欲望。
自从一场乌龙绑架之后，被割伤脸的婉儿受到杨清音的温柔对待，洛颜也最终决定和大饼相濡以沫，而完全没事的小陌回来后,依然在竹下居欢乐自在，她并未察觉一位刚进入竹下居的名为白篱落的女子将和她发生怎样的争夺，争夺走爹爹留下的《药祖乾坤注》和她仰慕的居主苏沐扇。
莉比和丈夫尼克之间的感情十分要好，两人共同养育乖巧可爱的儿子马蒂，幸福生活堪称典范可是，在忽然之间，尼克神秘失踪留下大量血迹，莉比则沦为嫌犯最终锒铛入狱。莉比将马蒂托付给了好友安吉，自己则在狱友玛格丽特和伊芙琳的帮助下为了洗清罪名而做着不断的努力。一晃眼六年过去，塔维斯警官成为了获得了假释的莉比的监护人，而此时的莉比发现，尼克不仅没有死亡，甚至改头换面带着儿子和安吉过着隐姓埋名的生活。经历了双重背叛的莉比决定反击，而尼克也绝不会坐以待毙，一场充满了阴谋与危险的恶战即将拉开帷幕。
《我叫MT》是以魔兽为核心的人气旺盛的同人网络动画，其原型是暴雪公司著名的网络游戏《魔兽世界》。该片是由一群游戏动漫爱好者共同打造的，其中人物包括“核桃”、“奶茶超人”、“迷路了”等，清馨幽默的风格倍受魔兽玩家的推崇。 我叫MT是一部以魔兽为核心的原创3D网络动画，被众多网友冠之以“国产动画新光芒”的动画剧集。策划开始，核桃大叔就日以继夜的开始为这部动画片做不懈的努力。关于迷路大叔，其实“迷路”大叔超级有才的，从《我叫MT》的创意就知道“迷路”是个superman了