暂无简介
现代少女顾瑾颜穿错身体，身为皇后的自己竟与皇帝互换了灵魂？！经过了花式“使用”皇帝的身体与一系列的反套路宫斗后，互相厌弃的帝后不得不共同寻找换回来的方法，于是两人开启了屋内斗嘴、屋外演戏的爆笑日常。随之而来的，对政务傻眼的皇后在前朝遭到刁难，而身处后宫的皇帝从另一视角看清了白月光的真面目……
这部剧集聚焦墨西哥演艺圈女王露西娅·门德斯、劳拉·萨帕塔、西尔维娅·帕斯奎和洛雷娜·赫雷拉的生活，展现了她们重塑自我的过程
《我心闪亮》为韩国SBS电视台于2015年1月17日起播出的周末特别企划剧。以韩国的代表食物之一的炸鸡为主题，讲述了因炸鸡而产生交集的两个家庭，相互扶持走向成功，过程充满笑料和感动的故事，是非常适合一家人观看的轻松企划剧。
《邪恶力量》此次续订后将确定拍到14季。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
小花猪的食物被黑乌鸦抢走了，它跟着黑乌鸦一路追去，结果越跑越远。找不到小花猪的小猪坐在地上伤心地哭起来。小黄狗问原因，小猪说它想去找小花猪，可是又怕遇上妖怪。小黄狗拍拍胸口，说它不怕妖怪，两个伙伴上路去找小花猪。
《购物王路易》是第7届电视剧剧本公募获得优秀奖的剧本，讲述丧失记忆的大企业继承者和朝气蓬勃的山村姑娘的喜剧故事，剧本亮点：虽然是常见的题材，但是角色非常可爱，剧情发展很幽默。
一艘在海上航行的船只，被一种变异的双头鲨鱼袭击。幸存者游到了一座荒岛上寻求庇护，但是噩梦远没有结束。
戈登拉姆齐与国家地理频道合作的六集美食纪录片《戈登拉姆齐：美食秘境》(Gordon Ramsay: Uncharted)正式定档，戈登拉姆齐来到阿拉斯加、老挝、摩洛哥、新西兰、夏威夷、秘鲁等国进行美食探寻，于7月21日播出
波珑是一名大学女生，有一些无伤大雅的奇怪习惯。当她得知姐姐潘突然要在英国与她的外国男友结婚时，波珑不得不前往伦敦。由于她不精通英语，她得到建议，要先去学习一些英语的基础知识。正是在课上，她遇到了一位泰国的机械工人博。他是一个普通的年轻人，和女友异地恋。他为了女友卖掉了自己的房子，打算前往伦敦。还有“裘德”，一个没什么想法的男生，但他最近想去伦敦投奔女友，最后却爱上了英国女孩凯蒂。三人出于完全不同的目的前往伦敦，但却要面对同样的难题——不懂英语。他们将如何在这个英语国家生存呢？