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《说唱听我的》第二季是芒果TV自制说唱音乐综艺，由严典雅工作室原创。节目由6位风格迥异的流行歌手，从百位具有潜力的说唱新人中寻觅最契合的搭档，制作融合多样音乐元素、具有音乐性与文学性的新时代中文说唱作品，通过不断尝试与磨合，最契合的流行歌手和说唱新人将组成“双子星”，通过不同主题的音乐竞技，角逐“说唱双子星”冠军。同时节目邀请4位顶尖说唱歌手作为推荐官，用最专业的态度、技术、评判标准，解说赛事，点评歌曲，为圈层发声。
该片是为纪念奥斯维辛集中营解放70周年而拍摄，讲述1961年对纳粹高官阿道夫·艾希曼的世纪审判电视转播。
在抗美援朝战争“冷枪冷炮”运动中，入伍两年的任东风在某阵地争夺战中展现出了出色的射击天赋，但也导致战友死于敌军的狙杀枪口之下，成为心中阴影。“特射班”班长高占奎力排众议将任东风纳入麾下，老好人王青成为任东风的观察员，他们在这残酷的战场上与美军狙击王牌舒尔曼展开了一场壮烈的狙击大战。
如果有一天，地球上的氧气终将消失殆尽，那么人类的命运又会是怎样的？本片大胆的想象末日的情景，终于地球上的氧气不再能满足人类的生存需求时，人类将手伸向了大海，而为了可以在海洋中自在呼吸，那么鱼鳃就将是未来人类的必备器官。人类为着这个伟大的自救计划，开始了大规模的残杀“人鱼”和制造有鳃人类的残忍实验。而就是在这样的世代中，一个普通的女孩和“人鱼”相遇了，是否有爱才能够让人自由自在的呼吸？
十九世纪，罗马尼亚存在着一个人鬼共存的神秘地带――特兰西尼亚古镇。镇上有一支邪恶势力在天黑后统治着该地区，那就是吸血鬼德古拉（理查德•劳斯伯格 Richard Roxburgh 饰）领导下妖魔鬼怪。他们一到日黑就出来大肆杀戮，手段异常残忍。更加恐怖的是，这个队伍在不断壮大中，噬血的科学怪人也不远万里投靠了德古拉。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
CBS台2012秋季新剧《直弯好基友》讲述一对从小一起长大的直男乔（大卫·克鲁霍尔特兹 David Krumholtz 饰）和同志路易斯（迈克尔·尤瑞 Michael Urie 饰），在拥有情比金坚的友谊和成功的商业伙伴关系后，因乔向女友求婚而引发两人世界翻天覆地的情景喜 剧。两位死党的感情比他们的任何一段恋情都要长。尽管路易斯拥有了高大护士男友怀亚特（布兰登·罗斯 Brandon Routh 饰），但当乔准备向现任女友珠宝设计师阿丽（索菲亚·布什 Sophia Bush 饰）求婚时，却被路易斯意外破坏了。四个人就像存在着三对情侣，拍档关系暧昧难明...... 《直弯好基友》剧情源自制片人大卫·科翰（David Kohan）和马科斯·穆契利克（Max Mutchnick）的现实关系：两人一直一弯，从高中开始成为好朋友，毕业后一起组建了以他们名字首字母...
198。这个看上去毫不特殊的数字对于俊伍（李东旭 饰）而言，却是解密前女友离去的密码。曾经相爱的恋人突然离自己而去，只留下了“198页”这唯一的线索。想要破解其中奥秘的俊伍只得每天去图书馆翻找各类书籍，寻找第198页的秘密。而这怪异的行为引来了刚失恋的图书管理员恩秀（柳真 饰）的注意。起初，她只觉得俊伍是个怪人，但当她知道事情的缘由后，她开始自告奋勇的帮起俊伍一起寻找198页。在寻找的过程中，二人又回到了各自甜蜜的往昔，可越是甜蜜的回忆，越是萧瑟的当下。 随着俊伍和恩秀接触的深入，二人开始被对方所吸引，那份失去爱人的心似乎又开始激烈跳动起来，再次为一个人所心动……
Porn has gone mainstream; the question is, can we handle it? This exploration of the intersection of sex and technology is told through the stories of the people whose lives are defined by the current explosion of internet porn-whether they're creating it, consuming it, or both.
布里特·马灵主演，本季平行宇宙来了：马灵饰演的Prairie Johnson被Hap(詹森·艾萨克饰)俘获后，作为一名俄罗斯女继承人，试图穿越一个新的维度。 新角色Karim Washington(金斯利·本-阿迪尔)是一个私人侦探，致力于寻找失踪的少女Michelle Vu(克洛伊·莱文饰)，他最终和OA组队一起寻找少女，他们还将调查诺布山一所与几名青少年失踪有关的房子。
周韬从小患有先天性心脏病，对未来充满着消极态度，并一直怀疑在这个世界上，真的是否存在比自己性命还要重要的人，如果有…那么…她是否就在我的身边？周韬年纪轻轻，整天混迹在堂弟周文的服装店，直到一天周韬意外启动了未来穿越过来的机器人D号，周韬用尽所有方法也甩不掉这个“高端产品”，无奈周韬带领着D号开始融入这个世界，逐渐，周韬改变了曾经想“毁灭世界”的消极态度，以及周围的人，都因D号存在，产生了不同影响