凡多姆海恩家族的宅邸内百花齐放，黑执事塞巴斯蒂安•米卡利斯（小野大辅 配音）进退有节，优雅矜持地招待来访的客人。而庄园的主人夏尔（坂本真绫 配音）则在田中（藤村俊二 配音）、梅琳（加藤英美里 配音）、菲尼（梶裕贵 配音）等仆从的环绕下度过平凡舒适的每一天。这一日，夏尔收到了维多利亚女王的来信。信中称名叫诺亚方舟的马戏团即将巡回来到他们所在的城市，而该马戏团所到之处必然会发生儿童失踪事件。作为“女王的看门狗”，夏尔责无旁贷担负起调查的重任。几经周折，夏尔和塞巴斯蒂安成功混入马戏团，他们在这里见到了各种各样生活在底层的可怜人，同时也发现了寻常难以察觉的可怕黑幕…… 本片根据枢梁的同名漫画改编
一个执行任务失误而导致人质男孩死亡的警察帕尤，离开警察队伍后，通过一系列考验，加入一个神秘的警方小组，打击罪犯。随着任务执行的深入，他发现小组真实情况与他想象的不一样，他最终做出了正确的选择。
一位塞尔维亚舞厅舞者与朋友的哥哥经历了一场意外而激烈的24小时。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
深月绫（茅岛水树）是一个普通人，因为崇拜大小姐而进入了名为黑美女子学院高等学校的学校。她对校园中备受瞩目的白百合大小姐夜绘美绪（田锅梨梨花）十分憧憬，为了成为大小姐，她每天都在努力适应不习惯的学校生活。某一天，绫目睹了夜绘美绪在空无一人的教室里沉迷于热血格斗游戏的情景。 在大小姐学校里打游戏是绝对不被允许的行为虽然绫被严密要求保密，但她被发现也是一个格斗游戏玩家，二人因此产生了共鸣！ ？同时也牵扯进来校园管理委员、也是隐藏的游戏玩家的犬井夕、一之濑珠树（永濑莉?），热血大小姐们的格斗游戏拉开了帷幕！
The story revolves around Jeanne, a brilliant architect who is entrusted with the renovation of a sumptuous manor house belonging to the rather strange Daguerre family, who sit atop a board games empire. When family patriarch César is found murdered, Jeanne is drawn into a real-life murder mystery aimed at unmasking the assassin…
以喜剧的方式讲述了隐秘又可爱的忠清道人的故事。这是一部可以在其中感受到1980年代中后期农村高中生的日常生活和回忆中的音乐所唤起的乡愁的悬疑青春电视剧。剧中任时完饰演居住在忠清南道牙山温阳的瘦小懦弱的少年张秉泰。在学校这个小社会，属于食物链最底层的张秉泰因为父亲的关系连夜逃到隔壁小区扶余后，成为了扶余农业高中的转学生。之后他遇到了意想不到的事件，经历了反转。
夏令溫泉(秘密)的特別心情，这是夏天中，在3个封闭温泉地区裏，所发生不能对别人说的隐密**事件....。女人的身体，看起来非常有光泽和滋润，见了眼红心喜，3篇描述温泉的欲望和爱情的故事。
根据文艺复兴时期作家马托雷尔·加尔巴的原著改编，这部小说被成为“史上最伟大的小说”，描写了13世纪著名的骑士蒂朗被拜占廷国王委任去解救被土耳其人包围的城市－康斯坦丁堡的故事。
印度村庄Shivgad的检察官Bajirao Singham一直以一己之力对抗着当地的黑恶势力，美丽的Kavya也因为他的正义而对他心生好感。然而当Bajirao被提拔来到Goa地区，他发现当地的掌控者Jaykant其实是无数犯罪的幕后黑手，在被Jaykant严密控制着的Goa地区，嫉恶如仇的Bajirao正面临着一生中最大的挑战。
10月24日 22-23赛季意甲第11轮 罗马VS那不勒斯
十年动乱期间，原本工商业出身的张家祸从天降，受到巨大冲击，少奶奶欧阳瑞丽不得已挑起生活的重担经阿姨介绍，她给别人做起了保姆。为了生计，瑞丽来到里弄生产组当临时工，生产组的家庭妇女虽然都没什么文化，但都心地善良热情，她们给瑞丽孤寂的心带来不少慰籍。回城的文影因感情受创精神失常，瑞丽悉心相帮。粉碎“四人帮”以后，组织上落实政策，返还了当年抄家的物品和存款，一家人又过上奢侈的生活，但却再没有了当年身处逆境的生活气氛.....