纳粹军队在爱琴海上的某希腊小岛上，安装了两支火力超强的巨炮，威协到邻近岛屿英军的安危，于是六名同盟国与希腊士兵受英国之命，在军官法兰克林少校的带领下潜入该岛，与岛上游击队会合后，执行摧毁巨炮的任务。但是，当法兰克林少校在任务中受伤后，凯西上校因为经验不足而坏了大事。不久后，他们发觉小队中有叛徒，导致凯西上校、爆破专家米勒下士与希腊游击队员安德瑞亚之间起了嫌隙。这六名壮士是否能完成这项艰巨的任务呢？
波记大排档老板波叔（吴孟达 饰）同时也是太平坊一幢楼的房东，如今太平坊地盘开发，好多老邻居迫于压力搬走，波叔守着老房与租客，拒不出售老房。波叔的小舅舅大智（元彪 饰）从北京杂技团来港投奔波叔，要为自己打拼出美好前途。但波叔对后者花哨的做饭方式嗤之以鼻，认为是不务正业。另一方面，欲开发太平坊的林氏集团公子林枫（黎明 饰）不满意父亲惟利是图，愤而出走却被流氓打伤，林枫被波叔救回，得到街坊们的照顾帮助，并结识了波叔的女儿小爱（邵美琪 饰）。大智有机会赴国外发展但却遭波叔反对，二人不欢而散。林氏集团加紧了对太平坊的收购，这造成了小爱和林枫的隔阂……
兄弟姐妹咪咪和卢克不知不觉中复活了一个古老的外星霸主。他们使用魔法护身符，迫使怪物服从幼稚的异想天开，并意外地将流氓银河系刺客画廊吸引到小镇郊区
不会水的泳池救生员英铭（赵毅饰）被揭穿后惨遭辞退，债主又派打手在街头围堵他，幸好有售楼员女友小柯（李念饰）不离不弃，英铭向女友谎称自己是医生之余，又百忙中借来朋友的房子向未来岳母交差。岳母大人对婚房不满，英铭假戏真做把朋友的房子卖了出去，又如法炮制借房向小柯承诺未来的幸福生活，趁小柯挑剔之机，英铭再次把别人本来就是委托他卖掉的房子转手。一来二去，英铭发现了代理售房的利润，亦洞悉了隐藏在自己身上的售房天才，于是和失业的小柯一起，踏上了售房征途。英铭奇招尽出搞定了多个缺陷房，不料却被道中高手摆了一道，不甘失败的英铭决定向国际大项目迈进……
本片讲述了两个千差万别却同样迷茫的年轻音乐人，一个是多年打拼,事业毫无起色,又屡遭生活暴击的和声歌手珊妮,一个是身患重病,隐姓埋名等待死亡降临的前摇滚乐手董东,对生命感到绝望的二人在自我了断时相遇......自杀计划流产,他们的生活也因彼此的出现发生改变。 另外一个时空的故事,从珊妮意外发现的一本1970年代的日记中铺陈开来,一段没有下文的悲伤爱情竟然在珊妮的努力下尘埃落定。跟音乐、爱情和人生有关的种种,让珊妮与董东的相遇愈发神奇。千丝万缕中,是否每一种爱都能开花结果 他们能否找到继续爱这个世界的理由
商朝初年某天，杨戬狼狈从天而降，记忆受损。附近村子的村女叶子发现后，将其救回。担心杨戬孤独无依的叶子，顶着村民的压力坚持将他留了下来。两人在平淡的生活中渐渐相爱，直到一伙强盗前来洗劫，打破了这平静。为救爱人，杨戬不得不成为了一名斗祭士，在战斗中逐渐激发了自己第三只眼睛的力量。一直潜伏在杨戬身边的搭档青凰也在寻找机会恢复他的记忆，原来这一切都是移魂异人的阴谋所致……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
本次的OVA分为两卷，本卷附录于《女皇之刃 叛乱 Premium Visual Book》，另一卷《新的师徒、新的战斗》则附录《女皇之刃 Premium Visual Book》之中。 本卷于2012年01月发售，画册详细信息请见上文“其它相关书籍-其它画册”。本卷动画故事发生于《女皇之刃》以及新篇《女皇之刃 叛乱》之间的时间，本卷除了第一代的角色优米尔外，第二代叛乱的主角斯琪也会登场，讲述她成为美斗士前的状态。
阿峰（吴彦祖饰），小虎（杨佑宁饰）和大刚（刘烨饰）是在乡下从小一起长大的好兄弟，好朋友。大刚为了出人头地的梦想，说服他们，一起来到了传说中黄金遍地的上海，准备大干一场。到了上海一段时间后，小虎和阿峰来到了天堂口歌舞厅，在那里遇到了美丽的歌女露露（舒淇饰），还有当时在上海声名显赫的实力人物，也就是天堂口的主人洪哥（孙红雷饰）。在歌舞厅的侧面路口，阿峰偶遇了受伤倒地的马克（张震饰），并把他带回家救治。从此，这几个好朋友的人生围绕着醉生梦死的天堂口歌舞厅开始发生变化……
供销社售货员杜娟从王大嫂买的一把梳子发现联营组售货员姚三元，把降价货物按原价卖，从中投机赚钱，姚三元慌乱中掉了钱包，王大嫂拾到，杜娟、王大嫂当面揭发了姚三元的投机行为，并把卖梳子多赚的钱退还给王大嫂，王大嫂把拣到的钱包还给了他。
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