意大利南部小镇，古灵精怪的小男孩多多（萨瓦特利·卡西欧 饰）喜欢看电影，更喜欢看放映师艾佛特（菲利浦·诺瓦雷 饰）放电影，他和艾佛特成为了忘年之交，在胶片中找到了童年生活的乐趣。 好心的艾佛特为了让更多的观众看到电影，搞了一次露天电影，结果胶片着火了，多多把艾弗达从火海 中救了出来，但艾弗达双目失明。多多成了小镇唯一会放电影的人，他接替艾佛特成了小镇的电影放映师。 多多（马克·莱昂纳蒂 饰）渐渐长大，他爱上了银行家的女儿艾莲娜（阿格妮丝·那诺 Agnese Nano 饰）。初恋的纯洁情愫美如天堂，但是一对小情侣的海誓山盟被艾莲娜父亲的阻挠给隔断了，多多去服兵役，而艾莲娜去念大学。伤心的多多在艾佛特的鼓励下，离开小镇，追寻自己生命中的梦想…… 30年后，艾佛特去世，此时的多多已经是功成名就的导演，他回到了家乡，看到残破的天堂电影院，追忆往昔，唏嘘不已。多多意外地遇见了艾莲娜，往日种种，真相大白，他们如何面对彼此？©豆瓣
电影是一个关乎年轻人梦想、体现城市温度的故事。以上海陆家嘴地区新型党建为背景，围绕救助患儿鹏鹏引发的一系列感人故事，讲述了年轻人在党的引领感召下成长，并最终实现自我价值与社会价值的共鸣。
’WalkWithMe’followsacommunityofZenBuddhistmonksandnunswhohavededicatedtheirlivestomasteringtheartofmindfulnesswiththeirworld-famousteacherThichNhatHanh.FilmedoverthreeyearsinFranceandtheUSA,thisintimateandmeditativefilmtravelsdeepinsideaworldthatseemsfarfromoureveryday,andrevealshowthemonasticstransformsufferinginthemselvesandinothersthroughtheirdeepenquiryintothenatureofexistence,suffering,andtheirtrueselves.《正念的奇跡》拍攝了一群禪修出家人的社群。他們畢生致力于追隨國際知名的老師一行禪師掌握正念的藝術。拍攝時間前後歷時超過三年，橫跨法國、美國。這部親切又發人深思的電影，進入了一個遠離我們日常生活的世界，並且揭示了僧侶們如何通過深入探尋存在的本質、煩惱的由來和各自真實的自己轉化自己和他人的煩惱。
讲述80年代生人的一个男孩，从出生未见过父母，和爷爷奶奶一起在农村生活，长大父母接他回城市里和父母产生了很多矛盾和隔阂，童年的无忧快乐和成年的矛盾构成了鲜明的对比。
两夫妻买下深山老宅，刚搬进去第一天就发生诡异的事情#小鬼入侵
Londoners Maya and Jamie who escape their urban nightmare to the tranquility of rural Ireland only to discover malevolent, murderous goblins lurking in the gnarled, ancient wood at the foot of their new garden.
失落之城阿玛纳，废弃于沙漠腹地的埃及古城，这座绵延甚广的大都市里曾居住过埃及法老埃赫那吞、王后纳芙蒂蒂以及少年法老图坦卡蒙，为什么它消失得近乎无影无踪？本片会揭开埃及历史的至暗时刻之一。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
奈莉总是感觉体内有股奇怪力量，让她在学校格格不入，父亲只好暑假时把奈莉送到舅舅家，奈莉却发现舅舅的庄园里监禁着各种怪兽吸血鬼狼人，从神秘笔记本奈莉发现自己是魔兽猎人家族，但母亲因为猎捕魔兽失踪，舅舅不让奈莉成为魔兽猎人，奈莉只好暗中猎捕魔兽。
心理医生俊唱是一个著名的医生。他是冷静与他的病人，但他有一个痛苦的过去。他曾经亲眼目睹他老婆自杀，因为她被强迫了。他曾经遭受失眠伴随着内疚和悲伤，直到一位美丽的姑娘吉洙走来。她告诉他，每一个谁在爱她死了，有人在看她的男人。她勾引俊唱。一名侦探犯罪嫌疑人吉洙参与了最近的谋杀案，并要求俊唱她的医疗记录...
上世纪70年代的苏格兰，一个略带神经质的女子贝丝（艾米丽·沃森 Emily Watson 饰）不顾宗教束缚嫁给了石油工人亚恩（斯特兰·斯卡斯加德 Stellan Skarsgård 饰）。恩爱生活并不长久，亚恩在一次石油作业中身负重伤，沦为瘫痪。贝丝非常难受，甚至觉得是自己的欲望导致了这个悲剧。为了唤醒丈夫的生命力，贝丝挑逗不同的男人，和他们发生关系，让亚恩的病情可以被情欲的力量征服。丈夫的病情竟然有了好转，然而，村里的人都对贝丝投以唾弃的目光，贝丝亦被送进精神病院。为爱牺牲的信念在贝丝心中强烈燃烧，将再一次把她逼入绝境。
1843年，君主专制下的欧洲饥荒肆虐、经济萧条，处处危机四伏。英国的工业革命改变了世界秩序，创造出新的无产阶级。秉持博爱共产理念，工人组织陆续成立。两名德国青年，马克思与恩格斯，将颠覆这些组织的乌托邦思想，改造他们的斗争及全世界的未来。 马克思自大学毕业后，凭着犀利文笔与非凡思路迅速跃升《莱茵报》总编。然而因撰文抨击普鲁士王国被迫停刊，随后带妻子迁居巴黎。创办《
一个贩毒集团前撞的人成为一个地方为他们的罪付出代价，找到救赎。