Rose Byrne和Seth Rogen将主演并简直Apple TV+的半小时喜剧《柏拉图关系 Platonic》。 Nick Stoller和Francesca Delbanco撰写剧本，Stoller同时负责执导。本剧有诗选类元素，每季聚焦不同的两个人。 首季共10集，将探讨柏拉图式友情的内在运作方式。一对年轻时认识的前好友，成年后重新开始联络，试图冰释前嫌。随着两人的友谊变得越来越令人身心俱疲，这段关系动摇了他们的生活，促使他们重新评估自己的选择。
战国时期，七雄争霸齐将田忌（姜武 饰）之女田夕（景甜 饰）率兵与魏军交战，原以为胜券在握，不料却被半路杀出的孙膑（孙红雷 饰）用匪夷所思的计谋打败，手下伤亡惨重。田夕满怀悲愤力擒孙膑，原本想杀了他为齐国将士报仇，谁知求贤若渴的齐王（中井贵一 饰）却下令赦免闯下大祸的孙膑。河洛大会上，孙膑亲自上阵帮齐国赛马，奇才初露之时，偶遇昔日的同门师兄庞涓（吴镇宇 饰）。已经成为魏国大将军的庞涓以三座城池为代价，将孙膑交换到魏国。孙膑对师兄一片赤诚，原以为可以从此团聚相守，谁知他身怀的绝世兵法却埋下祸根。庞涓、庞妃（金喜善 饰）、魏王为其针锋相对、剑拔弩张，几大诸侯国也是虎视眈眈。悬疑重重的权势角力之中，一场旷古未有的残酷战争一触即发。而在这一切的背后，一个更可怕的惊天奇谋刚刚露出冰山一角……
维克多（瑞沙德•斯垂克 Reshad Strik 饰）曾是一名优秀的冲浪运动员，却在职业的最巅峰因为膝盖受伤而不得不告别了赛场。他将自己对冲浪运动未尽的愿望全部都寄托在了弟弟杰西（拉奇兰•布坎南 Lachlan Buchanan 饰）的身上，这种强烈的期望常常让杰西感到痛苦不堪。福格斯（沙维尔•塞缪尔 Xavier Samuel 饰）是家中最小的一个，虽然他对冲浪也有着强烈的热情，但这种热情却总是被哥哥们忽视。 一场意外中，维克多和杰西之间冻结多年的坚冰终于得到了化解。而福格斯也遇到了名为安迪（柯克•詹金斯 Kirk Jenkins 饰）的男孩，安迪所散发出来的雄性荷尔蒙深深的令福格斯感到着迷，而他的出轨却让维克多十分的痛苦。©豆瓣
故事讲述不擅长与人交往的大学生田端枫，结识了总是不看场合说话却又格外纯真的秋好寿乃，两人结成了一个秘密组织。后来秋好离开后，枫为了将她的谎言变成现实，而对这个世界发起反抗。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
Takeshi和他的父亲一起生活，他的父亲有坏习惯和坏女孩关系。 在家里待了很长时间后，父亲正在家里和那个女人做爱。 Takeshi盯着这段关系，看到眼前的那个女人，Takeshi很惊讶。 几天前，她嫁给了一位修理水管的家庭主妇。 有一天，我每天都在自慰，看着我的父亲和他的情人卢卡， 我父亲消失了，卢卡不回家。 Takeshi再次去修Luca的房子，被卢卡诱惑诱惑。 但是当他的父亲回来时，Takeshi看到Luca回到父亲身边时嫉妒。 父亲和卢卡之间的关系动摇了，向卢卡承认， 两者之间的关系和以往一样快乐。
早期的巴西“边缘电影”经典:在里约热内卢，23岁的地下电影人Júlio Bressane拍摄了其第二部长片作品《杀死家庭，看电影去》（1969），这部仅用了12天就完成的电影成为“Cinema Marginal”中最经典的杰作之一，大量的手提式摄影，不规则的广角镜头，杂乱无序的剪辑以及好几个同时进行又完全独立的剧情，试验性的电影语言使其成为“边缘电影”中最具创造力的作品之一，在其诞生22年之后，巴西重拍了这部经典地下电影的彩色版，但重拍版却完全失去了原版的影像光芒。
时传祥15岁从家乡逃难来到北京，迫于生计背起粪桶当了一名生活在最底层的“粪花子”，饱受了粪霸的剥削压迫，遭人白眼，受尽了凌辱。 解放后他当家做了主人，感到了尊重与平等，他竭尽全力带领环卫工人为市民服务，提出“宁愿脏一人，换来万家净”的口号。他被评为劳动模范，在1959年全国群英会上受到国家主席刘少奇的接见。 文革中，时传祥同党和国家领导人以及全国人民一样受到了严峻的考验。他被遣送回乡，放下了他热爱的事业，但他深明大义，教育子女接过他无法继续背下去的粪桶，走进千家万户，为人民服务。 时代变了，社会进步了，再也不需要工人背粪桶了，旧北京的茅房没有了。当年迫于无奈将自己的亲生女儿遗弃在茅房里的一位现已在美国定居的小姐，正委托律师寻找孩子。而那个女婴当时被时传祥救了性命，送到福利院并为她起名为石解放，现已长大成人，时传祥勤劳朴实的精神影响了她的一生，她立志为...
弗杰是一名盟军士兵的小女儿，她的父亲在偷越进入敌军境内深望生病的妻子时被俘获。当杰得知父亲和另一个善良的北方军官被宣布判处列刑时，她立刻决定去和林肯总统来一次小会谈……
马修（乔纳森·塔克 Jonathan Tucker 饰）是一位懵懂又内敛的大学新鲜人，和大部分同龄的孩子们一样，他的内心里保留着对未来的光明幻想和对爱情的美好憧憬。某日，马修搭载的电梯突然遭遇停电，电梯内一片黑暗，一个看不清面目的女孩和马修一同被困在电梯之中。患难见真情，闭塞的空间里，马修和女孩之间产生了奇妙的化学反应，两人慢慢靠近，最终肌肤相亲。一夜过去，当马修想要看看这个女孩的面孔之时，女孩早已经离开。就这样，马修陷入了单恋之中，单恋一个同他发生过关系他却连她是谁也不知道的女孩，他唯一知道的是，这个女孩一定住在女生宿舍之中，马修决定将她给找出来。
新中国解放前夕，白纸坊警署小警察徐天在追查未婚妻贾小朵被害案件过程中，意外参与到中国共产党和平解放北平的事业当中。面对动荡的时局，金海、铁林和徐天三兄弟所处不同的位置，在亲情、爱情，国家利益、个人信仰发生激烈冲突的时候，情同手足的三兄弟做出了不同的选择，走上了截然不同的人生道路。徐天和共产党员田丹在绝境中相识，使命感让两个人走到了一起，徐天选择在动乱中协助中国共产党取得了北平的和平解放，迎来了新世界。
玫瑰园23区E座的业主立案法团主席懵伯，天性热心助人，但往往却越帮越忙，好心做坏事。 他做了主席后，好大喜功、干预太多、朝合夕改，使到E座的居住环境急转直下，居民充满怨气，问题丛生，物业评级一直急降，而价格也由高峰期回落一半有多。 屋漏偏逢连夜雨，非典疫症突然爆发，而且迅速漫延整幢大厦，居民一个又一个地染病入院，甚至死亡；这个烂摊子，谁能解决……